Elements of Historical Thinking, Techological Changes, and External Expectations

The collection, contextualization and the interpretation of historical information are elements of historical thinking that have remained at the heart of historical teaching. The collection of historical information refers to the gathering and development of historical knowledge. The American Historical Association (AHA) recognizes that the retention of historical information is important but that it should not be the overall focus of history learning. The evolving standards of the AHA agree that historical knowledge should be built in order to “discern context.” 

Unfortunately, there is a general misunderstanding that history is stagnate and is only about fact based retention due to standardized testing. For years, standardized testing has relied on assessing the memorization of dates, names, and events in place of in depth historical inquiry. The building of historical knowledge is only a small aspect of  historical teaching. Contextualization and interpretation serve much larger roles in the understanding of history. The AHA’s other core competencies reflect the elements of contextualization and interpretation. Other scholars such as Weinberg, Kelly, Ayers, and Robinson agree that disciplinary skills like contextualization and interpretation are much more essential in history learning. These two skills allow students to develop and use historical methods, historical arguments, and historical perspective. 

 

Historians like Carl Becker have responded to technological change in the 20th century by encouraging the expansion of the history profession to the “everyman” or in other words people outside of academia. Becker understood that traditional representations of history were competing against “radio shows, newspaper headlines and suit pockets” (p.508). Edward L. Ayers agrees with Becker. Ayers acknowledges that “ambient history” created with artificial memory has increased with digital media. Online forums, genealogy, documentary, video games, and podcasts have revolutionized representations of the past. In the case of the 21st century, historians like Alison Robinson responded to events like Covid-19 by having her students carry on with their history learning through digital media. In reaction to the pandemic, Robinson had her students create a digital history project using WordPress as an online exhibit platform. Robinson’s project served as an extension of the instruction her students experienced in class. The students had to conduct original historical research using material culture with readings, class discussions, museum visits, and object handling experience. They then had to combine and adapt their historical knowledge with the making of a digital exhibit where they had to consider a target audience and share their research and digital creations. 

 

External expectations associated with national politics and educational standards have constrained the teaching and learning of history. National politics has placed history at the center of national debates. Heated discussions occur as a means of determining what type of history should be taught in schools. Standardized tests also change the way history is taught by placing an emphasis on multiple choice questions that require the retention of facts as opposed to in depth historical interpretations. The results of these standardized tests also cause alarm on the national landscape and push for more reforms in history education. Consequently, educational standards are developed to reflect the political trends. Questions on whether history should tell the “truth”, be patriotic, or recite the facts are debated. Textbooks, the primary teaching tool of many history teachers, are created to reflect the educational standards as well as the politics of the time. 

The digital might disrupt these constraints by making history more engaging for students. The digital can also allow students to elevate their learning through digital projects. Digital technology such as mobile applications, podcasts, and video games can enhance historical understanding.  Just like with Robinson’s students, digital media can foster enriched learning activities that call for students to expand on their built historical knowledge and utilize their skills of contextualization and interpretation.

Thinking about Historical Thinking

In its more simplistic form, historical thinking can be defined as the reading, analysis and writing that is necessary to understand the past. It is a process that is easier to define than it is to demonstrate as students in both k-12 education and higher education struggle to conduct the action of historical thinking. As a result, universities have made moves to close these gaps amongst their students by training their faculty in refined pedagogical approaches. These refined pedagogical approaches aim to teach students concepts such as crossing the historian’s threshold and the evaluation of evidence. In a similar vein, I have my own concerns related to my 8th grade students and their struggles to think like historians. Throughout this course, I hope to find answers to the following questions in order to improve historical thinking amongst my students: 

  1. How can I teach my students historical thinking techniques that can compensate for any skills that they may lack? 
  2. How can I best plan for collaborative learning opportunities that teach historical thinking?
  3. How can I make historical thinking relevant for my students?

 

Tentative Answer for Question 1: It is possible that I can utilize principles from the theory of pedagogy known as Decoding the Disciplines. Elon University employs a program called Decoding the Disciplines as a model for helping experts and their students locate issues in “crucial operations” that experts and students have in a particular discipline. Indiana University’s Joan Middendorf has explained that Decoding the Disciplines is an evolved theory of pedagogy that allows experts to break down their own automatic complicated thinking/expertise to students who have difficulty comprehending the task the expert has accomplished. Students can have difficulty understanding the actions an expert carries out due to the fact that a student is unfamiliar with a particular discipline. That being said, it is possible for a student to overcome this misunderstanding. According to Elon University’s Dr. Katie King, “disciplines have at their perimeter complex ideas that can be difficult to someone new to the principle but once they are grasped, they can broaden and deepen a student’s understanding of the discipline” therefore crossing the threshold of understanding. I can use Decoding the Disciplines to my advantage as I can use it as means to pause and reflect on the misconceptions students have about a concept that may come easily to me. Modeling, motivation check-ins, and sharing are also important aspects of teaching and learning that my students can benefit from in their understanding of historical thinking. 

Tentative Answer for Question 2: According to the expert in Thinking about Historical Thinking Decoding the Discipline, planning should not be an issue as long as good results are achieved. Although I can understand the idea behind this notion, planning for six different classes with a total of 30 students is exhausting. Admittingly, as stated by  Sam Wineburg, Mark Smith, and Joel Breakstone, “the structure of the school day restricts collaboration to brief meetings taken up by administrative matters, leaving scant time for teachers to articulate goals for student learning.”  However, in spite of my pragmatism, I do understand the value of collaborative learning. As stated, students are more likely to remember concepts from class if they carry out their learning themselves or discuss it with their classmates. Skills associated with historical thinking include contextualization, corroboration, sourcing, and close reading. Since students continue to struggle with these concepts, they can learn from a more proficient classmate who is willing to model a skill in the completion of primary source analysis. 

Tentative Answer for Question 3: Stéphane Lévesque believes “significant events of the late-twentieth- and early-twenty-first century force citizens to rethink their traditional relationships with the past.” From this, it is evident that students themselves must reevaluate their own understandings of the past in order to establish meaning and relevance. Lévesque encourages teachers to use contemporary sources for analysis in order to mimic the same mental activities that are needed to interpret the past. Consequently, students can realize that these same skills used to interpret historical evidence are relevant for understanding contemporary events and activities. As a potential solution, I can begin to use alternative resources like Tiktok videos, YouTube and Snapchat to help students see the relevance of historical thinking.

Introductory Blog for Teaching and Learning History

This is me.

My name is Angela. I reside in Southern Maryland and I teach 8th Grade Social Studies. The subject matter is American History which is perfect because that is my favorite thing to learn about. My personal interests are related to antiquing, movies, music-listening and buying freshly made baked goods and ice cream.

My learning goals for this course are related to discussing and discovering new technologies and the pedagogies associated with teaching history. As mentioned I teach 8th Grade American History, and my students tend to struggle with their learning of history even with the use of technology. Don’t let their cellphone usage fool you, a lot of them are ignorant about websites and applications. I am most interested in teaching and learning environments related to the public school system and teacher professional development as well learning environments in higher eduation.

Final Thoughts on Digital Public History

When I first began my course in Digital Public History I first wrote the following statement related to the Audience and Content in Public History Projects:

[Public History] can be redefined as a “society in which a broad public participates in the construction of its own history” (Grele, p.48). This shared process implies that public historians must work with communities to develop the content that will manifest into a public history project. In other words, public history projects belong just as much to the community as it does to the historian as they cannot exist without one another.

 

This statement continues to reign true as I conducted my own public digital history project. In my own case, I chose to focus on the disgraced individual Benedict Arnold. Arnold is someone of which I have been fascinated with for a long period of time. So, I decided to build an Omeka Website with “mostly” interactive exhibits dedicated to him. After revisions, the Omeka site is organized in the following ways:

An introductory page that provides an introductory video (it is kinda cheesy) and a transcript (a differentiation tool) as well as links to the three exhibits featured on the site: The introductory video was my attempt at using audio as a means to detail a historical narrative as well as to explain the academic argument behind the site. ( It is far from becoming a podcast I’ll just say that. )

The three exhibits are organized into three intertwining themes to explain the history of Benedict Arnold.

The three exhibits and their purpose.

Historical essays are featured in each exhibit with footnotes linked at the bottom of each page.The footnotes are placed in a google doc that is accessible for site visitors. 

Footnotes

Historical essay

Shared authority  “the interaction of scholarly authority and wider public involvement in presentations of history” (Frisch,1990, p.53) was considered in the creation of this project. Personas such as Stephanie Mitchell, a k-12 educator, and Faith Cooper, a 13 year old student, were used to hypothesize the needs of the target audience. These needs were determined by the qualitative data I acquired from interviews in my school site. The needs I considered were differentiation and engagement strategies, relevant connection to curriculum standards, and accessibility. I have used plugins such as PDF embed, Image Annotation, and Text Annotation to enhance and differentiate my primary sources. In doing so, users are given a deeper analysis of the sources themselves. Image Annotation helps students understand certain types of vocabulary that align with their curriculum standards. The annotations also provide historical context. In addition, I have embedded YouTube videos on my site to make the content more engaging for my students.

Example of Image Annotation Plug In on a political cartoon

Within my exhibits, I utilized photos from archives and databases like the Library of Congress, the Digital Public Library, the New York Public Library, Jstor, Wikipedia and American newspapers. All of these photos were placed as items in my Omeka site to establish where the images were located.  A total of 58 items are in the item library.

Photos/items are placed as lone files, files with text, moving carousels, annotated images, or PDFs. These images are supposed to serve as supporting evidence for the historical essays as well as to provide historical context to the time period being discussed. Their sites of origin are linked in the metadata to follow copyright protocol and give credit to the creators. 

Fortunately, my Digital Public History class has enabled me to consider the academic and pragmatic purpose behind my prototype Omeka site. I have had to consider my intended audience as well as the technologies I would use to engage and educate my intended audience. I have also had to take into consideration the items/artificats I would use to exemplify my site’s academic argument.

 

 

 

 

Porfolio Blog Post

My project’s academic argument is posted in the introductory page of my omeka site for visitors to see and it surrounds the following concept: 

George Washington’s General Orders established the narrative that would forever cast Arnold out of America’s social fraternity, by making Arnold’s treason about a lack of honor and virtue. In doing so, Washington set the parameters for others to be a part of the “imagined community” of the emerging American nation.3 In the early years of nationhood, Arnold’s legacy survived as a constant reminder of its need for virtue and honor to ensure American independence.Moving away from America’s early years, Arnold’s legacy evolved from its original meaning and shifted to more generalized discussions of American loyalty. What has remained constant is that he will always be remembered as America’s greatest traitor. 

 

That said, the overall purpose of my site is to serve as a prototype  for a public website dedicated to examining how Benedict Arnold’s act of treason played a role in shaping the national identity of the United States. The site’s purpose is educational and the target audience includes k-12 educators and school children. The site will connect to common core standards as well as aspects of the curriculum from Maryland, DC, and Virginia public schools. 

The three exhibits and their purpose.

In designing the site, I kept in mind my audience as well as the site’s educational purpose. Three exhibits are used to show support for my academic argument. Within each exhibit, I have used plugins such as PDF embed, Image Annotation, and Text Annotation to show off and differentiate my primary sources and also to provide a deeper analysis  of the sources themselves. Students need assistance in understanding certain types of vocabulary that align with their curriculum standards. In addition, I have embedded YouTube videos on my site to make the content more interactive for my students. 

The use of the image annotation plug-in.

 

I will evaluate my work by checking in to see how much of the site can be connected to curriculum standards and how much it aligns with educational Universal Designs for Learning.

 

Portfolio Blog Post 2

Current methods and technologies have enabled public history to reach new audiences. Methods include storyboarding, site based story telling and community outreach while technologies include omeka collections, exhibition mobile exhibits, podcasts, and virtual reality.  A commonality amongst current methods and technologies is a focus on user interactivity, cultural relevance, and entertainment value. As a result, methods and technologies can be combined together in the creation of public history initiatives. 

Personally, I have used storyboarding as a means of paper-prototyping the layout and design of my prototype omeka site and collection. The planning process allowed me to consider the visual interactives I would include in my site for the purpose of user engagement and entertainment. In a similar manner, site based storytelling, the use of a specific location’s history to initiate a historical narrative, has also been helpful for user engagement and entertainment. Projects related to site-based storytelling have emerged onto the public history scene in the last couple of years such as mobile interpretive projects.

A notable mobile interpretative project is the Cleveland Historical project, a mobile application and mobile optimized website. The project’s focus is the city of Cleveland, Ohio and utilizes multimedia, sound, geolocation to share the city’s cultural history. The Cleveland Project has easy to use archival software that allows “interpretative content to be customized for local history events, community endeavors or classroom learning.” (Tebeau, 26). 

Community outreach methods have also been used to engage local communities in their own cultural history. It is a collaborative approach to history that bridges the divide between museums and the communities they reside. Local community members then have the opportunity to contribute to the historical narrative. The Penderlea Homestead Museum has utilized community outreach by encouraging locals to curate their own exhibits. These exhibits are then informed by the personal experiences and perspectives of community members. In doing so, these exhibits are culturally relevant to the surrounding locality. 

Podcasts and virtual reality have an entertainment element that sets them apart from other technologies. These two technologies can use multimedia to engage and educate a wider range of audiences with interpretative content. The interpretative content can be delivered through either audio or visual storytelling that can engage the listener. Podcasts can reach a wider audience through streaming platforms like Spotify, Itunes and YouTube Music while virtual reality can be used on computers and consoles as well as within museum exhibits. Just like radio, podcasts have the ability to expose listeners to history at their own pace whether it’s on a drive to work or cleaning the house. In the same vein, virtual reality can intrigue younger audiences and allow them to interact with history in a more thought provoking manner through visuals. 

Project Progress Update 4

I have managed to fill out the three skeleton exhibits from my previous update.

These were  American Treason Law, Allegiance,  Virtue and Benedict Arnold and Nationalism. 

I have filled out scholarly information videos and images related to these topics.

I tried my best to think about what my students would prefer if they were to look through an educational website. Videos are better for capturing the attention of site visitors. It also helps explain a heavy topic better than me reexplaining what was detailed in King George’s Proclamation of 1775.

I added a photo of King George III since he was mentioned in this exhibit.

I did my best to chunk up the exhibits and be consistent and thorough in the narrative I was trying to explain in each exhibit.

I also provided a link to a collection of Congressional transcripts to allow visitors to see what was said in the Articles of War.

I then decided to add an image of the Declaration of Independence since ideas of allegiance and treason can be traced backed to the Declaration of Independence.

In the next couple of images, you will see that my exhibits become more reliant on text and primary source information than the others that were previously seen. I’m having some diffulty finding images that are relevant for these next couple of sections.

Much of the Benedict Arnold and Nationalism Exhibit is primary source and text heavy as they provide an analysis of the primary sources.

 

The next step would be to provide links in the metadata back to the areas in which I retrieved some of my resources.

Project Progress Update 3

Since my last update, I have accomplished the following:

  • Finished the first draft for my exhibit “Benedict Arnold’s Role in the American Revolution.”

  • Added an Introductory Page related to the site to inform visitors on the site’s focus.

  • Created skeletons for two additional exhibits called: American Treason Law, Allegiance, Virtue and Benedict Arnold and Nationalism

I have also deleted old exhibits and pages that are no longer relevant for my site. I have reordered my simple pages to have my introductory page first. The order is the following.

For my newest exhibits, I need to locate images related to the passages written. As usual, I also need to work on my footnotes.

History Pin Review

History Pin Review:

I used historypin.org to investigate pinned historical sites in my area. I was surprised to see that there were few pins posted for local historical markers.

I know there are plenty of more historical locations surrounding my place of living as well as my workplace so this must be something I can complete in the future. That said, the historical location I focused on was Christ Church, Port Tobacco Parish, La Plata, MD.

 

The pinner was the US National Archives and not a local from the area.

Historypin’s about information is transparent about its mission and its role in maintaining cultural history.

This demonstrates that historypin.org works in partnership with libraries, archives and museum groups although individuals can join the site in maintaining a digital history about their local communities. The information the US National Archives gives for Christ Church is brief and includes an image of the Church from 1941.

I feel like more information related to Christ Church can be better given by a local. For instance, historical markers are on the property-detailing the significance of the location.

The church is also open for church services and locals can go inside to take further photography related to the location and building’s architecture.

The history pin site attempts to use place-based techniques associated with how locations change over time by placing an old photo of Christ Church over a modern day photograph. Historypin’s theory is associated with continuities and changes over time. This is made evident by the transparency scroll tool the site has in order to allow site visitors to see the similiarities and differences of the location at different historical time periods.

Project Progress Update 2

To be honest, I was not happy with the way in which my exhibits were set up. I originally planned to have three sub exhibits:

The Heroic Arnold

The Treacherous Arnold

American Treason Law, Allegiance and Virtue

 

Although I managed to update the original Heroic Arnold with the necessary historical information I felt there was an overload of information on one individual webpage. This original setup was not user-friendly and would easily tire out the reader-especially secondary students like Faith Cooper. Thus, I chose to separate the historical information in the Heroic Arnold section into more sub exhibits. 

This is the current exhibit setup:

The sub exhibits go in chronological order and detail certain stages of Arnold’s life. The stages are associated with Arnold’s involvement in the American Revolution. To make these sub exhibits pop, I decided to incorporate relevant artifacts and images associated with events discussed in historical narrative. I also provided embedded historical videos created by the American Battlefield Trust as a resource for further information on the Boston Massacre, Boston Tea Party, Battles of Lexington and Concord and the Battle of Valcour Island. The videos themselves are more student friendly and allow for me to differentiate and diversify the historical content for teachers and students. 

Relevant Images Examples:

 

 

Video Example:

 

Challenges:

  • Making the site user friendly
  • Revamping the original layout of the exhibits
  • The YouTube Import Plug-In did not work so I had to rely on embedding YouTube Videos within the text blocks. Initially, I had issues with embedding the YouTube videos in the text because I hadn’t unchecked the box for “Enable HTML Filtering” fortunately I was able to gather tips from Omeka forums on how to fix these issues.
I just needed to uncheck this box in the security settings in Omeka to enable embedded videos.

Next steps: I need to update and format my footnotes correctly. I need to finish writing the historical information related to Treason, Allegiance and Virtue as well as create my exhibit for Arnold and Nationalism. 

Digital humanities issues, tools, and resources